... if you consider time itself as a big river, objects are like the boats that float upon its stream, buoyed by the feelings of people. They are carried from place to place, their locations based on their owners. Some may sink in their journey.
So what prompts an object to be kept? Because it is seen as a vessel of power and pedigree? Because someone truly loves it, and wants to honor the memory of its past? And even if you love the past, does that mean you are blind to the present?
[ . . . he lets his hand wield the brush like he is performing calligraphy. one piece of art creating another.]
It is simpler - when you look similar to how people do. When they love or hate you more straightforwardly.
[some people might think that what mikazuki is saying is overly flowery, a bit presumptuous and maybe it's too many words to get to the point. but aquarius listens, mulling over them briefly before there's a short nod.]
Having your own body and spirit versus being an object of history, you mean. Easier to see if people are basing their feelings about you off of how you act and live and not your lineage and history. Something like that?
Fufu... Even if the feeling is not quite so strong as 'dislike', it is nice to be treated as a fallible entity.
As much as I do enjoy ceremony from time to time... the casualness and ease of others is something I treasure far more, even if I cannot entirely emulate it myself.
I think this might be where you and I cannot relate, Mikazuki. [lightly said.] But if that's something you've managed to find and you're satisfied with it, then that's a good thing.
I think there are some people have only ever been treated as a fallible entity. So casualness and ease is still something they can't treasure because it doesn't feel genuine. That's all.
I am learning many a thing - and I treasure it all. What is both humorous, and what is difficult.
[but mikazuki will finish up the painting then, putting away the paintbrushes and waiting for it to dry. still, he will gently turn the canvas so that aquarius might be able to see]
...I'll think about it. I don't know if it'll have the same effect.
[they say, still not knowing about the room's actual effects but it's fine, it's a surprise tool for later. they do seem a little more open at least though.]
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guestservices) wrote2022-06-11 09:46 pm
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... if you consider time itself as a big river, objects are like the boats that float upon its stream, buoyed by the feelings of people. They are carried from place to place, their locations based on their owners. Some may sink in their journey.
So what prompts an object to be kept? Because it is seen as a vessel of power and pedigree? Because someone truly loves it, and wants to honor the memory of its past? And even if you love the past, does that mean you are blind to the present?
[ . . . he lets his hand wield the brush like he is performing calligraphy. one piece of art creating another.]
It is simpler - when you look similar to how people do. When they love or hate you more straightforwardly.
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Having your own body and spirit versus being an object of history, you mean. Easier to see if people are basing their feelings about you off of how you act and live and not your lineage and history. Something like that?
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Mm. Something like that.
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[they will intently watch the painting? maybe they just like the colors after all.]
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Oh, I would not say I am always honored.
But that is part of the fun now as well, ha ha ha.
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The...ability for people to also dislike you?
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Fufu... Even if the feeling is not quite so strong as 'dislike', it is nice to be treated as a fallible entity.
As much as I do enjoy ceremony from time to time... the casualness and ease of others is something I treasure far more, even if I cannot entirely emulate it myself.
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I think this might be where you and I cannot relate, Mikazuki. [lightly said.] But if that's something you've managed to find and you're satisfied with it, then that's a good thing.
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[honestly? no one should live like an old sword it sucks]
But may I ask what you mean by that?
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I think there are some people have only ever been treated as a fallible entity. So casualness and ease is still something they can't treasure because it doesn't feel genuine. That's all.
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Is this what Jason Todd would call 'trust issues'?
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Just what are they actually teaching you out there...? But maybe that's close to it, sure. If I had to describe how some people may feel.
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[but mikazuki will finish up the painting then, putting away the paintbrushes and waiting for it to dry. still, he will gently turn the canvas so that aquarius might be able to see]
Is it to your liking, my friend?
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Well. Your art is definitely better than mine like I thought. [... ] Can I have this?
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[amused]
Should a time ever come that we are able to behold you behind your veil, I would like to paint you again then as well - if that would be alright.
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[they say, still not knowing about the room's actual effects but it's fine, it's a surprise tool for later. they do seem a little more open at least though.]
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It has been fun. I am pleased to have borrowed some of your time.
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Guess that's our cue to go?